Dave Tutelman's Frequency Meter
Circuit description
Original 1995
Updated 1999, 2003
This is the narrative to go with the circuit diagrams of my Frequency Meter.
I'm going to be wordy in some places and brief in others, according to my
own taste. I assume you know something about digital circuitry, so
I won't have to explain the basic concepts.
There are schematic diagrams and photographs that go with the text. They
are represented by thumbnail images. If you click on the thumbnail, the
full-size image will open in a new window, so you can view both the image
and the text that goes with it.
Circuit Design
The principle of operation is:
- Time a complete cycle of vibration, using a digital timer.
A digital timer is a counter driven by a precise oscillator (in this
case, a 2 MHz crystal-controlled DIP clock).
- At the end of a complete cycle, strobe the contents of the
counter into a register, then reset the counter to time a subsequent cycle.
- At this point, the register contains a binary number proportional
to the period (time) of a cycle. Frequency is the inverse of period.
The binary time is the input to the ROM. It completely specifies
the frequency, which completely specifies the signal that needs to be sent
to each segment of the three-digit readout. I used a computer program
(see Appendix) to compute each of these signals, and to generate a file
that was used by a PROM-burner to program a 2732 EPROM.
The design is very generic at this level, and could be used for
any kind of sensor that generates a wave related to the shaft's vibration.
I built two very different sensors, both of which work with the circuit:
a piezoelectric pressure transducer built into the shaft clamp, and an infrared
broken-beam fixture where the shaft vibrates between an IR-LED and an
IR-detector. As shown in the diagram:
- The pressure sensor generates one "square" pulse per cycle,
as the vibration presses against it, then relaxes away from it.
- The optical infrared sensor generates two pulses per cycle,
one each time the shaft arrives at the midpoint of vibration.
The wave shaping and control circuits deal with the differences
between the sensors, and "condition" the signal so that the rest of the
circuitry sees the same signal with respect to a cycle of vibration.
A note about the components: I used standard 74LS logic,
except where otherwise marked. (Note that the LED drivers are the higher-power
7406, not the 74LS06.) The transistors are generic PNP transistors;
just about any PNP switching device will do. Other components:
2-input gate |
74LS00 |
3-input gate |
74LS10 |
8-input gate |
74LS30 |
Flip-flop (D-type) |
74LS74 |
Demux (2-bit to 4-line) |
74LS156 |
Inverters |
74LS14 |
Counter (dual 4-stage) |
74LS393 |
Register (6-bit) |
74LS174 |
LED drivers |
7406 (not LS) |
Voltage comparator |
LM339 |
7-segment LED display |
HP 5082-7730 |
The sensor components (both pressure and optical) were purchased
from All Electronics (http://www.allelectronics.com),
toll free order line 1-888-826-5432. That was in 1995. There are similar
components that might serve as replacements in the current catalog.
The total cost of the electronic components probably doesn't exceed $25.
Additional cost (case, power, board, wiring, programming the PROM, etc)
will depend on how well-equipped your electronic workshop is.
The input section is an inexpensive LM339 comparator, connected
with a bit of positive feedback to sharpen the transition and to add a
bit of hysteresis (that's "snap action"). The feedback resistor
should be chosen for the best hystersis characteristics. The 220K
or so that I've shown should work nicely, but you may want to put in a trimpot.
You will definitely want to use a 1K trimpot to set the threshold.
This must be adjusted when you change sensors, and may need adjustment
from time to time as the sensors age. I made mine accessible through
a narrow screwdriver hole in the front panel. It can't be tweaked
inadvertently, but you can adjust it without opening the case.
The adjustment is facilitated by two LEDs, visible on the front panel.
They are called the "wave indicators" on the Control Section schematic.
One or the other is always on, depending on whether the wave-shaper is
on or off. They show graphically the state of the wave-shaper.
With the pressure transducer, the LEDs are also used to adjust the clamp
pressure.
Either sensor assembly can be connected to the chassis via a 4-pin connector:
- The piezoelectric pressure transducer simply connects to the
comparator inputs.
- The optical sensor needs to be powered, a job handled by the
other two leads which supply +5v and ground. I got away with no resistors
on the optical sensor assembly; you probably can too.
There's a story behind the .01uF capacitor across the input leads.
When I was originally debugging the circuit in my basement, the frequency
shown on the LEDs would "go crazy" every so often. It would work
fine for a while, then suddenly display frequencies off the scale.
It took a while for me to realize what it was. Remember the old Memorex
commercials, "Is it live or is it Memorex?", with Ella Fitzgerald singing
a high note that breaks a window? Well, I was listening to Ella Fitzgerald
tapes while I worked. The speakers were directly over my workbench.
Eventually, I noticed that the meter "went crazy" whenever Ella hit a
high note, and remembered those commercials. I also remembered that
the piezoelectric transducers were originally made as high-frequency microphones.
Most of the time, they were picking up shaft vibrations, but when Ella sang
loud and high they picked up her voice and sent it to the frequency meter.
The capacitor (and 100K resistor) were added as an "Ellatenuator", an
RC low-pass filter.
Control section
The input to the control section is a squared logic level that pulses
once a cycle for the pressure transducer and twice a cycle for the optical
transducer. It is fed to a counter, the first three stages of which
are used. The idea is to get a gating signal the width of a full
cycle of vibration; that's a "pulse and back" for pressure and two of them
for optical. The first three output bits of the counter are selected
by a DIPswitch to be fed to the control logic. The bits are:
- A - the gating signal for the pressure sensor.
- B - the gating signal for the optical sensor.
- C - a half-speed signal, whose purpose will be described below.
The control logic (consisting of two flip-flops and a number of
gates) generates two outputs:
- A strobe pulse, which occurs precisely at the end of
the gating signal, and lasts for exactly one count.
- A counter reset, which starts as soon as the strobe
turns off, and which persists (to hold the counter off) until the beginning
of the next gating signal.
At this point, we need to understand that this design, unlike most
commercial frequency meters, has no "reset" or "start" buttons.
It measures a single cycle and displays the frequency that cycle represents.
It then waits a cycle, continuing to display the same frequency.
The next cycle, it starts counting again, and displays the new measurement
at the end of that cycle. So it updates the display with the latest
reading every second cycle of vibration. OK, time for some numbers:
- The typical range of shaft vibration is from 240cpm to 340
cpm.
- That is about 4 per second to 6 per second.
- So the number on the display refreshes itself with a new reading
2 to 3 times a second.
I find that a very acceptable rate to "mentally average".
It certainly shows whether a reading is stable or not; an unstable reading
will jump around two or three times a second, while a stable reading will
hold steady or only change by a count or two. But I was afraid that
I might want a more static reading, and it's possible that some users will.
So the "half-speed" output of the counter (bit C) can be used as part of
the gate, to slow down the refresh. Thus the DIPswitch settings are:
|
Normal Refresh
(2-3 per sec) |
Slow Refresh
(1 per sec) |
Pressure sensor
(or other sensor giving
one pulse per cycle) |
A "on" |
A & B "on" |
Optical sensor
(or other sensor giving
two pulses per cycle) |
B "on" |
B & C "on" |
Counter section
The counter consists of 20 bits of 74LS393 chips. The first
(least significant) ten bits are just a count-down of the frequency from
2MHz (put out by the crystal clock) to 1953Hz, giving a timing resolution
of just over a half millisecond. (Yes, that is almost the same as
the time the ball spends on the clubface during impact. And no, there
is no relationship; it's pure coincidence.) This is able to resolve
frequencies as high as 350cpm to within one cpm.
The most significant ten bits are used as readout. This allows frequencies
as low as 114 cpm to be measured. It also allows display of higher
frequencies than 350, but the resolution on frequencies above 350 will
be more than one cpm.
This allocation of counter sections was designed using a computer program
described in the appendix.
The counter is a straight binary counter, except for two interesting variations:
- When the most significant 8 bits all reach '1', a gate prevents
further pulses from advancing the count. This prevents the counter
from "wrapping". If it were allowed to wrap, then frequencies below
its range of 114cpm would show up as very high frequencies.
- Two bits of the high frequency section (about 8 and 16 KHz)
are used as a clock to multiplex the 3-digit LED display. More
about this in the chapter on the display section.
Register and PROM sections
The register and PROM sections are very straightforward. Two
74LS174 hex-D flip-flops are used for the register; we use ten of the
twelve bits. Because the control logic was designed as synchronous
(clocked) logic, strobe pulse is synchronized to the counter clock so the
counter doesn't change value during the strobe.
The 2732 PROM has its 32K bits arranged as 4096 bytes of 8 bits each.
We use most of it, arranging it as:
- 1024 rows (10-bit address from the register stage), by
- 3 digits for the display (2-bit display multiplex clock, with
one phase not used), by
- 7 bit "mini-bytes" for the seven display segments.
Since the 2732 PROM is getting harder to find these days (low capacity
makes it "obsolete"), I have labeled the pinouts with their generic designations,
and provide below a table for the actual pinouts for several different
models of PROM. You should tie unused address leads to "0", if you
use a bigger PROM than the 2732.
|
2732
Pinouts
|
2764
Pinouts
|
27128
Pinouts
|
A0
|
8
|
10
|
10
|
A1
|
7
|
9
|
9
|
A2
|
6
|
8
|
8
|
A3
|
5
|
7
|
7
|
A4
|
4
|
6
|
6
|
A5
|
3
|
5
|
5
|
A6
|
2
|
4
|
4
|
A7
|
1
|
3
|
3
|
A8
|
23
|
25
|
25
|
A9
|
22
|
24
|
24
|
A10
|
19
|
21
|
21
|
A11
|
21
|
23
|
23
|
D1
|
9
|
11
|
11
|
D2
|
10
|
12
|
12
|
D3
|
11
|
13
|
13
|
D4
|
13
|
15
|
15
|
D5
|
14
|
16
|
16
|
D6
|
15
|
17
|
17
|
D7
|
16
|
18
|
18
|
E '
|
18
|
20
|
20
|
G '
|
20
|
22
|
22
|
Display section
The display consists of three seven-segment LED display DIPs.
They are common-anode devices, and we use the anode to multiplex the
pulses. That is:
- During one "phase" (one count of the display multiplex clock),
a positive pulse is applied to the anode of one of the digits.
This is done by the 74LS156 decoder and the PNP driver transistors.
- At the same time, the display multiplex clock tells the PROM
which digit is the current "phase". The PROM applies bits to its
output corresponding to that digit. The output 7406 drivers apply negative
pulses to some of the segments, turning on the display for that digit.
- During three of the four count "phases", one or another of
the digits is being pulsed with the correct display information for that
digit. On the fourth phase, it rests.
This is well-known as the most efficient way to activate a multiple-digit
LED display.
Physical Design
The physical design includes the electronic packaging and the construction
of the sensors and clamps. Each of them is described in this section,
complete with photographs.
Electronic packaging
The electronics is built into a plastic case originally intended
for telecommunications equipment. The box has snap locks on the side for
full top access to the circuitry. The front panel is dark red transparent
plexiglass, so the red LED displays can be seen but the circuitry cannot.
The front panel has small holes for access to the trim adjustments of the
input threshold and hysteresis.
The back of the case has a large open area for cables and connectors.
|
The next photo shows the electronics with the top shell
removed from the case. The circuit is built on a prototyping board; I did
not make a printed-circuit board. All the ICs are socketed, and the sockets
have long wire-wrap leads.
The 7-segment LED displays are mounted in right-angle sockets, so
the are against the transparent red front of the case. The "wave indicator"
LEDs are also against the front panel; one is mounted on the top of the circuit
board and the other (not visible in the photo) is in the same position
on the bottom of the board.
The controls for adjusting the input threshold and hysteresis are
multi-turn potientiometers. They are mounted near the front panel, with
the screw adjustment facing the panel. There is a small hole in the panel
in front of each. With some manual dexterity, it is possible to use a small
screwdriver to adjust them without opening the case.
The cable to the sensor is a flat "rainbow" ribbon cable, which connects
to the circuit board via a pin plug. Each sensor has its own cable and
plug, so they can be interchanged. A clamp at the open back of the case provides
strain relief for the connector and circuit board. To change the sensor,
you must:
- Remove the top of the case.
- Unplug the sensor cable and loosen the strain relief.
- Plug in the other sensor, and position and tighten the
strain relief.
- Change the DIP switch to reflect the proper counting
mode.
- Adjust the input trimmers. Each sensor is electrically
different, and the threshold and hysteresis must be set anew.
- Replace the top of the case.
|
Optical sensor and clamp
The first picture is an overview of the whole frequency
meter, consisting of the clamp for the club (which itself is C-clamped
to the workbench), the yoke containing the infrared source and detector,
and the electronics. A club (with a grip) is clamped for measurement. The
clamp will also accommodate an ungripped shaft, as we shall see below.
The clamp is cocked up at a 12-degree angle. That is flat enough so
that the club is vibrating essentially up and down when considering rigidity
issues, but the tip is still high enough to break the infrared beam to take
a reading.
|
The optical sensor is a U-shaped yoke made of two 1" dowels
(sections of broomstick, actually) screwed to a length of 1x2 lumber. The
infrared LED (emitter) is in a hole near the tip of one dowel, and the infrared
detector is similarly located in the other dowel. I deliberately left a
lot of space for the shaft tip to vibrate and even to "oval". There is almost
3" between the dowels and 5" from the bottom to the LED holes.
The holes for the infrared components were drilled before the yoke was
screwed together. They were drilled as one in a drill press, with both dowels
clamped together for alignment. While still clamped, a pair or arrows were
drawn on the ends of the dowels with a single ruler and single swipe of the
pen (a sharp-pointed permanent marker). These arrows helped with alignment
at assembly, as did sighting through the holes.
The wires from the infrared components are led down the dowels to screw
terminals in the base, where they are attached to the ribbon cable that
goes to the electronics.
|
This is an end view of the whole assembly. In this case, an
ugripped shaft is being measured with a 205-gram tip weight. We will see
shortly how we change the clamp from grip mode to bare shaft.
The yoke is attached to the main base unit by an arm that is secured by
a single bolt. A large threaded knob is the "nut" for that bolt; it is readily
loosened and tightened by hand. Therefore, it is easy to adjust the angle
of the arm so that the shaft sits in the middle of the beam when at rest.
That gives the most stable and accurate reading when the shaft is plucked.
In actual use, this adjustment only needs to be changed when switching between
gripped and ungripped shafts.
The oddly-shaped white gadget screwed to the sloping edge of the base
unit is a carrying handle. The offset of the handle has it better aligned
with the center of gravity of the whole assembly than a straight handle
would, so it hangs straight when you carry it. (In case you're wondering,
the offset handle was part of the packing that came with a Pella patio door.)
|
The clamp itself is a pair of hardwood jaws, fashioned from
2x2 lumber (actually 1.5"x1.5", of course) cut to length for the standard
5" clamp. The lower jaw is fixed, and the upper jaw is driven by a toggle
clamp. (A DeStaco toggle clamp. I think it was model 603 but I'm not sure.)
The clamp is attached to a 7"-wide aluminum plate made from two aluminum
angles, each 3.5" by 1.25" and 1/8" thick. When they are bolted together
at the 1.25" flange, they form a plate that is very rigid in the direction
of the toggle throw, which is the direction of the load on the plate. This
plate is secured to the wooden base by large wood screws, most through the
1.25" flange and a couple through the 3.5" face. The whole assembly is very
strong and rigid.
The vertical and horizontal members of the base unit are fastened together
with 4 large wood screws and shafting epoxy -- again very strong and rigid.
There are three steel washers epoxied to the horizontal member; they are
used as pads to C-clamp the assembly to a tabletop as shown. The holes in
the washers are drilled down through the wood, so the washers can also serve
as pads to bolt the assembly more permanently to the workbench.
The club shown in the clamp has a grip on the end of the shaft. The next
few images will include details of the clamp, including how we switch it
to handle an ungripped shaft butt. A key piece of the switch is the 5" length
of hardwood angle sitting on the horizontal portion of the base. It has "pins"
that sit loosely in holes in the base; that is just a storage position for
it.
|
Here is a closeup of the clamp, with no shaft chucked in it.
The lower jaw is screwed to the plate. It has a V-groove routed in it
for the shaft. The groove is the same distance from the plate as the centerline
of the toggle clamp's shaft. That keeps the clamp's force squarely on the
shaft. The groove is 1/2" wide by 1/4" deep.
There are two hexagonal aluminum posts mounted to the lower clamp. (Round
posts would have been just as good, but I had the hex posts on hand in the
right size.) The upper jaw has clearance holes for the posts, and rides up
and down on them. The clearance holes are sufficiently loose that the angle
of the upper jaw can change to accommodate a no-taper shaft butt or a tapered
grip. The upper jaw has a V-groove that mates with the groove in the lower
jaw. Together, they hold the shaft rigidly.
The toggle clamp drives the upper jaw. Its 5/16" screw meets the jaw in
a shallow, wide hole that keeps it from sliding around. (Analysis shows that
this hole is superfluous, but just to be on the safe side it's there anyway.)
There is a plastic wheel affixed to the screw, used to adjust the final position
of the clamp; it is essentially a clamp pressure adjustment.
When the toggle clamp is released and lifted, a small metal fitting on
the upper jaw engages the head of the screw and causes the upper jaw to
be lifted with it.
I added calibration marks to the lower jaw at 1" intervals, to allow clamping
shorter lengths than 5". However, since the toggle clamp presses in the
middle of the 5" span, it is not clear how effective a shorter clamp would
be. This has not been tested.
|
In this picture, I have taken the hardwood angle from its
storage position on the base. I am in the process of dropping it into the
V-groove in the lower clamp jaw. The pins drop into mating holes in the
bottom of the groove, and hold it in position. It is the bare-shaft fitting.
Luckily, quarter-inch-thick angle is exactly the dimension to compensate
for the difference between a gripped and ungripped shaft. It compensates
for both the diameter and texture (the V-grooves dig into a grip just enough
to give proper pressure). This, of course, assumes "normal" conditions: a
.580"-.600" butt and a normal-size men's grip. For other switches, you may
need to adjust the screw's depth wheel.
|
Now the ungripped shaft can be clamped for measurement. The
wheel can be used to change the pressure if necessary, but it seldom is
when the clamp is set properly.
|
Pressure sensing clamp
One feature of this frequency meter is that it can use either
an optical sensor (described above) or a piezoelectric pressure transducer.
The transducer is mounted in the clamp, in such a way that pressure is applied
and released as the shaft vibrates.
This picture shows the pressure-sensing clamp in use. The entire assembly
is driven by a woodworking vise attached to the workbench. I use it with
the shaft vertical, but that is not a necessity. Choose the orientation for
rigidity first, and then convenience.
|
The clamp consists of three pieces of hardwood coupled loosely
together.
The two upper pieces are 5" long, and have matching V-grooves for the shaft.
They are held together by wood screws which are only partway screwed in.
For the rest of their length, they slide in the pilot hole, allowing the
pieces to be separated (as shown) to insert or remove the shaft.
The lower piece is a bit longer, and contains the transducer. It is fastened
to the middle piece by a hinge at the "back" (the left side in the picture)
and a couple of springs in the "front". The springs are 20-pound automotive
springs. When the boards are almost touching, the pair of springs assure
that a 35-pound force is being applied at the front of the clamp.
If the force is applied uniformly on the top piece, then the same force
must be applied at the hinge, so the total force on the top piece is 70 pounds.
The shaft holds the two pieces apart, so the full 70 pounds is shaft clamping
force.
|
The view from the front shows the circular piezoelectric transducer fastened
to the bottom piece. There is a smaller piece of fairly firm neoprene attached
to the middle piece. When the springs are compressed enough, the neoprene
presses on the transducer.
The aluminum half-round on the top piece is exactly halfway between the
springs and the hinge. It is the point against which the vise closes, so that
is where the force is applied to the clamp. That guarantees equal forces in
the hinge and the spring, so the clamping pressure is uniform over the 5"
of the shaft that are clamped.
The other function of the half-round is to allow a change of angle between
the jaws if a gripped shaft is inserted in the V-groove. The bottom piece
rests flat against one jaw of the vise. The top piece uses the half-round
as a pivot or fulcrum, allowing the angle to adjust itself.
The following steps are required to set up for measurement:
- Place the whole assembly, including the shaft, in the vise,
and begin to close the vise jaws.
- As you tighten the vise jaws, watch the "wave indicator" LEDs
on the electronics unit.
- When they switch from one LED to the other, stop tightening
and back off a tiny bit, but not enough to switch them back.
- At this point, the following conditions are met, which are
necessary for stable and repeatable frequency readings:
- The transducer has pressure on it that is just about at the
threshold, for the resting shaft. That way, when the shaft is plucked, the
threshold will be near the center of the vibration.
- The springs are compressed to the same amount for every measurement.
Because of the way the design distributes forces, this assures a known,
uniform clamping pressure.
- Now pluck the shaft and allow it to vibrate. The measured vibration
is in the plane perpendicular to the wooden pieces. When the head or tip
weight moves toward the bottom board, it causes the neoprene to press on
the transducer harder. When the tip moves toward the top board, it relieves
the pressure on the transducer. These pressure variations are turned into
voltages and sent to the electronics unit.
- If the wave indicator LEDs alternate up and down when the shaft
is plucked, then you know that it is working properly. If not, you need to
increase or decrease the pressure from the vise until the LEDs alternate
in synchronism with the vibrations. A better and longer-term solution may
be to adjust the threshold and hysteresis for the best, most stable alternations.
|
The pressure-sensing clamp is a very convenient design, and takes very
little bench space compared to the optical arrangement described above.
Unfortunately, it has a couple of problems in practice:
- My workbench is very rigid in an up-down vibration mode. But it is
not nearly as rigid in resisting horizontal forces at tabletop level. Sadly,
any orientation for the clamp in the vise exerts such a horizontal force.
The result was sufficiently flexibility of the clamp to lower the readings
by about 10cpm. (It is a heavy free-standing table. If it were against a
wall and bolted to the studs, it would work much better.)
- With age and pressure cycles, the transducer appears to have lost
some of its original stability and sensitivity. If you choose to use a pressure
transducer, let me recommend that your design include a provision for replacing
the transducer.
Because of these problems, the frequency meter readings have gained a lot
of stability and accuracy since I changed over to the optical system.
Acknowledgments
I'd like to thank Burgess Howell for digitizing my paper drawings.
He more than just scanned them in; he also vectorized them from my hand
sketches to quality engineering drawings. Also, Jim Witler double-checked
the drawings and caught a few circuit errors before anybody had any disasters
building it. Finally, I'd like to thank Paul Nickles of Clubmakers'
Heaven for providing me just enough data to motivate me to design and build
this beast.
Appendix: Computer Analysis & Files
A computer program was used to:
- Determine the number of stages of pre-countdown and the number
of significant bits to drive the display.
- Lay out the bits in the ROM, and write it to a file acceptable
to a PROM-burner.
Here is a discussion of the program and its results, including a
downloadable version of the PROM file ( which you will need if you build
the frequency meter) and a downloadable version of the C++ source code
for the program.
A1: Design of counter stages
The first purpose of the program was to design the counter.
It computed and printed out the frequencies measured by applying a 1
MHz (that's 1, not 2 MHz) signal to a counter consisting of M pre-stages
followed by N post-stages. I checked by eye to see, for each run:
- What was the lowest frequency that could be read. (This
was completely dependent on M+N.)
- What was the highest frequency where the next frequency read
was just 1 cpm higher, with no frequency skipped. (This was completely
dependent on M.)
The following table summarizes the results of the program.
Pre-
Stages
|
Post-
Stages
|
Low Freq
|
First Skip Freq
|
8
|
10
|
229
|
502
|
9
|
9
|
229
|
352
|
9
|
10
|
114
|
352
|
10
|
8
|
229
|
281
|
10
|
9
|
114
|
281
|
10
|
10
|
57
|
281
|
In trying to figure the range I had to have, I consulted the 1995 DSFI
Shaft Fitting Addendum. The lowest frequency driver was 194 cpm
(FiberSpeed FS-100), and the highest frequency 5-iron was 338 cpm
(TT Dynamic X). The row that covered the entire range was the highlighted
one, with 9 pre-stages and 10 post-stages, so I used it.
The sharp-eyed among you may have noticed that the circuit actually has
10 pre-stages, not 9. That's because the oscillator I was about
to get cheaply (well, free; it was in my basement) was a 2MHz clock, not
1MHz. So I used the extra pre-stage (it was on the chip anyway)
to count from 2MHz to 1MHz.
A2: PROM data file
After designing the counter, I extended the program to compute the
bits needed for the display ROM. Since the program could already
go from the binary register content to a decimal three-digit frequency,
I just had to tell it how to express each digit as seven display segments.
I also set it up so that:
- Above 999cpm, the display says "HI",
for "too high to display".
- Below 115cpm, the display says "LO",
for "too low to display".
If you want to build your own frequency meter from these plans,
you'll need the file from which you can burn the ROM, or the program to
generate it. Here's a zip you can download,
which contains:
- The raw binary file to feed to a ROM burner.
- The C++ source code for the program.
- The PC executable for the program.
Enjoy!
Dave Tutelman
History:
March 1995
- Built the frequency meter.
- Documentation consisted of hand drawings.
1999
- Burgess Howell scanned the drawings and converted them to good digital
images.
- I wrote the description and John Muir added it to Clubmaker Online.
January 2003
- Corrected the drawings (finally) as suggested by Jim Witler.
- Added sections on physical design, with photographs.